Hot Picks
- EFC 2024
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Flesh of the Unforgiven
USA 2024
produced by Joe Hollow, Dave Andexler, Kevin McMillan, Anik Rompré, Debbie Rochon (co), Taryn Lang (co) for Primal Motion Pictures, Hollow Films, Rebel Idol Films
directed by Joe Hollow
starring Debbie Rochon, Joe Hollow, August Kyss, Adriana Uchishiba, John E. McLenachan, Rachel Victoria Stone, Nurse Hatchet, Laszlo Szijarto, Dave Andexler, Joannie Fournier, Anik Rompré, and the voices of April Lindsell, Debra Lamb
written by Joe Hollow, special makeup effects by Meriem Karachira, special gore effects by Nurse Hatchet
Diary of Death
review by Mike Haberfelner
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Writer Jack (Joe Hollow) has been plagued by writer's block for quite
some time now but has agent Callie (April Lindsell) breathing down his
neck, urging him to at least deliver a treatment for his next novel,
ultimately giving him a very tight deadline. So Jack and his wife Sienna
(Debbie Rochon) take a trip to his childhood home in the mountains in hope
he can find inspiration there - a trip that seems to be doomed from the
start, as she takes the new surroundings as an opportunity to rekindle
their marriage which has been somewhat derailed by her cheating on him -
with his best friend no less. And while he appreciates her efforts, he's
way too preoccupied with getting his writing done, with only minimal
success - and this only drives Sienna from him and makes the situation
worse. Then he finds a VHS tape called Violent Love in the mail, and
figuring it must come from Callie, he starts watching it and finds it
containing a mixture of BDSM, mutilation and murder that disgusts him as
much as it fascinates him, so he keeps watching - while slowly drifting
off into a demonic nightmare world. In the meantime, in another part of
town, Vivienne (August Kyss) takes her own life out of guilt over having
lost her children. But with the help of a dark figure called the Death
Dealer, she is given a new lease on life. Eventually she and Jack meet at the local bar, start
talking and get along nicely - but with Jack's fucked up life and
Vivienne's demonic backgrounds,
this can only end in disaster ... Genre favourite Debra Lamb can be
heard reading the opening narration in this one. Flesh of
the Unforgiven sure isn't your run-of-the-mill horror feature, it's a
mood piece that moves at a leisurly speed to properly build up its story
while having no problems veering off into the associative, the absurd, the
grotesque and even the surreal should need arise, but ties up all neatly
into a solid and actually pretty compelling piece of horror that thanks to
a relatable backstory goes for more than just the jugular. And an on-point
cast help to keep the thing earthed, all resulting in pretty awesome genre
entertainment.
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