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Ariel: Back to Buenos Aires
Argentina / Canada 2022
produced by Felicitas Raffo, Pamela Livia Delgado, Alison Murray, Simone Urdl (executive) for Hellhound Productions, CEPA Audiovisual
directed by Alison Murray
starring Raphael Grosz-Harvey, Cristina Rosato, Eleonora Wexler, Gerardo Romano, Cristina Banegas, Juan Malicia, Abian Vaisntein, Rosa Rivoira, Fermin Vanagot, Pura Fiorone, Marcos Ribas, Natalia De Cicco, Susana Anselmi, Susana Groisman, Camila Sanson, Lucas Barreiro, Jacinto Pascual, Eliana Sosa, Adriana Frossasco, Rodrigo Fleitas, Esteban Masturini
written by Alison Murray, music by Pauchi Sasaki
review by Mike Haberfelner
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Siblings Diana (Cristina Rosato) and Davie (Raphael Grosz-Harvey) are
of Argentinian descent - but they haven't been to the country since
they've been very little and their parents (Gerardo Romano, Cristina
Banegas) left for Canada due to political turmoils and now don't even
speak Spanish. But now they have decided to go on a vacation to Buenos
Aires, she to get in touch with her heritage, he to basically fill an
existential void - which is only augmented by his sister's insistence that
they ought to find out whether he's adopted. And while Diana soon falls in
love with dancing the tango, and with Argentinian men, Davie gets his birth
certificate and finds out his parents are indeed his parents. Somehow that
doesn't fill his void though, nor does Diana's tango teacher Josefina
(Eleonora Wexler) he feels weirdly drawn to and vice versa. And eventually
he learns about an Argentinian gouvernment scheme from around the time he
was born where pregnant political activists were abducted and their
offspring then given to rich, regime-loyal couples, with birth
certificates forged to cover up the regime's crimes. And only a DNA test
can now prove Davie's true heritage - but it could pose problems to the
people he considered his parents for all his life ... Ariel:
Back to Buenos Aires is a rather unique genre blend as it starts out
as a bit of a travelogue, but soon veers off into political drama, at the
same time being a strong character piece, all set to pretty captivating
tango music and peppered with a lot of dancing - and it works, too,
because the story is engagingly told, manages to nicely tie up its
narrative threads, and stays away from narrative clichés, all captured by
rather impressive camerawork and carried by a relatable cast. And despite
all this drama and political underscore, this has turned out to be a
pretty entertaining movie that's well worth a watch.
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review © by Mike Haberfelner
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Robots and rats,
demons and potholes, cuddly toys and shopping mall Santas,
love and death and everything in between,
Tales to Chill Your Bones to is all of that.
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a collection of short stories and mini-plays ranging from the horrific to the darkly humourous,
from the post-apocalyptic to the weirdly romantic,
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all thought up by the twisted mind of screenwriter and film reviewer Michael Haberfelner.
Tales to Chill Your Bones to
the new anthology by Michael Haberfelner
Out now from Amazon!!! |
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