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Breathing In
South Africa 2023
produced by Cobus van den Berg, Tim Theron, Jorrie van der Walt, Jaco Bouwer, Rodd Brown (executive), Nate Bolotin (executive) for Kaapland Films
directed by Jaco Bouwer
starring Michele Burgers, Sven Ruygrok, Jamie-Lee Money, Lionel Newton
screenplay by Jaco Bouwer, based on the play by Reza de Wet, music by Pierre-Henri Wicomb
review by Mike Haberfelner
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Available on DVD! To buy, click on link(s) below and help keep this site afloat (commissions earned) |
Always make sure of DVD-compatibility!!!
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A Screambox exclusive: South Africa, 1901, with the Second
Boer War ravaging the country: Brand (Sven Ruygrok), a lowly soldier, has
dropped off his severely injured general (Lionel Newton) with a woman,
Anna (Michele Burgers) and her daughter Annie (Jamie-Lee Money) to nurse
him back to health. But when he comes to pick up the general a week or so
later, he's surprised he hasn't improved in health at all, rather the
corntrary, and has in fact become delirious. Anna however does everything
in her power to keep Brand around, and while he's there he takes a closer
look at Annie, a pretty but anemic girl who's apparently allergic to the
light of the sun, who mustin't sleep or she'll never wake up again, and
who spends most of her waking hours strapped into her chair as she's at
times too weak to even sit upright. However, that's only one odd thing
about the household, there's also the question how the two women survived
on their own at times of war, and quite well I might add, and how come
they've got quite so many pieces of man's clothing in their possession?
And Brand doesn't even know about the pile of dead soldiers behind their
house. However, the more Brand tries to find out the truth, the more
gruesome the answers he finds become ... When it comes to the
horror genre, Breathing In is a very unusual movie: Sure, it has
all the hallmarks of horror, from mystery to macabre details to references
to vampirism, but at the same time shows little interest to go through the
motions of your typical genre entry, there's little in terms of spectacle
or onscreen violence, there are no jump scares and the film's actually
quite dialogue-heavy - and all of this works totally in favour of Breathing
In, an ultimately quite compelling meditation on terror, drenched in
atmosphere, deliberately slow-moving but carried by a constant deliberate
feel on unease. And a strong small ensemble playing fleshed-out characters
delivering well-conceived dialogues of course also helps making this one
rather fascinating piece of genre cinema.
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