French au pair girl Cecile (Elfriede Payer) turns all the heads in her new neighbourhood, and all the men think they may shag her at the drop of a hat. But when men keep climing into her room via a letter nonstop, she lures them into a nearby shed in their underwear one by one, then lets her host father take care of them with his shotgun.
Inga (Ulrike Butz) is a nanny who seems to attract the attention of both her employers, the Br�ggemanns (Marlene Rahn, Ingo Baerow). And while she rejects the advances by Mrs Br�ggemann, she soon lands in bed with her husband - only to then find out the whole thing was nothing but a trick by Mrs Br�ggemann to catch her hubby in a compromising situation.
Elinor (Dorit Henke) is a secretary who acts so cold she seems almost frigid. But in her lunchbreak she becomes a masseuse (read hooker), and soon her boss becomes her best customer.
After not getting the job she was supposed to, naive Anja (Christine Lindberg) becomes a hostess - and is shocked when a customer tries to rape her, and even more so when her boss (Karl-HEinz Otto) scolds her for rejecting same customer. Without knowing it, she has become a hooker, and now that she wants out she has to realize she can't because her boss has seen to it that she becomes financially dependant from him. Soon though, Anja starts to like her new job ...
Irma (Karin B�ttcher) wants to go to the mountains and only is in Munich for a stopover, but then she hooks up with an artists' commune, and falls in love (and later marries) a painter.
Betty (Ingrid Steeger) becomes photographer Knut's (Wolfgang Reinhard) top nude model, but knows she will only be his favourite as long as she doesn't have sex with him. But eventually she gets weak and shags him all the same - and loses not him but also her career ...

One of the many sex anthologies produced in Germany after the phenomenal success of Schoolgirl Report in the early 1970's. As such, Girls who Come to Munich is no better or worse than most other movies of its ilk: It's at its funniest when it tries to be serious, is totally unfunny when it goes for comedy, its attitude towards its subject matter (sex) is somewhat uptight, and its attitude towards rape at least questionable. On the other hand, the girls are all pretty good-looking, and they get naked a lot, and as a(n unintentionally funny) trip down memory lane, this is definitely enjoyable enough.

review � by Mike Haberfelner

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

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Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to
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Tales to Chill
Your Bones to -
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
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tales that will give you a chill and maybe a chuckle, all thought up by
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Michael Haberfelner.

Tales to Chill
Your Bones to
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