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Waterworld
USA 1995
produced by Kevin Costner, John Davis, Charles Gordon, Lawrence Gordon, Ilona Herzberg (executive), Andrew Licht (executive), Jeffrey A. Mueller (executive) for Gordon Company, Davis Entertainment, Licht/Mueller Film Corporation/Universal
directed by Kevin Reynolds
starring Kevin Costner, Jeanne Tripplehorn, Dennis Hopper, Tina Majorino, Chaim Jeraffi, Rick Aviles, R.D. Call, Zitto Kazann, Leonardo Cimino, Zakes Mokae, Luke Ka'ili jr, Anthony DeMasters, Willy Petrovic, Jack Kehler, Lanny Flaherty, Robert A. Silverman, Gerard Murphy, Sab Shimono, Rita Zohar, Henry Kapono Ka'aihue, Michael Jeter, August Neves, Tracy Anderson, Neil Giuntoli, Robert Joy, John Fleck, David Finnegan, Greg Goossen, William Preston, Jack Black, John Toles-Bey, Kim Coates, Ari Barak, Chris Douridas, Alexa Jago, Sean Whalen, Robert LaSardo, Lee Arenberg, Doug Spinuzza
written by Peter Rader, David Twohy, music by James Newton Howard, production design by Dennis Gassner, special effects by All Effects Company, Boss Film Studios, Hunter/Gratzner Industries, POP Film, Rhythm & Hues Studios, Stetson Visual Services, special makeup effects by The Burman Studio, digital visual effects by Cinesite (Hollywood)
review by Mike Haberfelner
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Quite a few years into the future, most, maybe all of the world has
been covered in water, and humankind can only dream of fabled Dryland
while spending its time in ramshackle boats, often salvaged from old
shipwrecks, or hastily put together floating cities. The Mariner (Kevin
Costner), a grumpy loner drifting through the sea in a comparatively
advanced sailboat, it probably the best seaman out there, and most
certainly the best swimmer and diver as due to some mutation he has grown
gills behind his ears. He only enters cities time and again when he's in
need of supplies - but with the city he's entering now, he's drawn a dud,
as the locals are a bit too jealous of his boat and goods, and when they
find out about his gills they arrest him and convict him to die ... when
the Smokers, led by the Deacon (Dennis Hopper), a gang of feared pirates
attack, and it's soon clear that the city is lost. This is when the
Mariner is freed by Helen (Jeanne Tripplehorn), but only under the
condition that he takes her and her foster daughter Enola (Tina Majorino)
with him and takes them to Dryland. The Mariner grudgingly agrees, but
once on sea, he leaves no doubt in their hearts that he actually detests
their company, and he only warms up to them very slowly. And eventually he
admits to them he has got no idea where Dryland actually is ... The
Deacon is furious that the Mariner, Helen and Enola have escaped, not so
much because he's a brutal sadist (that too though) but because on the
girl's back there's a tattoo that's said to show the location of Dryland.
And so he starts one attack after the other on the Mariner's boat, but the
Mariner always has a few tricks up his sleeve to overcome the odds and
defeats himself and his against the Deacon and his hordes' attacks. But
the tables are turned when the Mariner's wounded in one such attack and
his attention thus diverted just long enough for the Deacon's men to grab
the child. And now the Deacon's left with the task to make head and tails
out of Enola's tattoo, while the Mariner prepares to get her back - but
this time it's really one man against an army, and on the enemy's turf (a
dilapitated freight ship), so the odds are more against him than ever ... Upon
its release, Waterworld was reviled for having eaten up a record
budget and presenting the audience with nothing more than Mad Max
on water, and pre-release press about a troubled production didn't help
either - and thus, the movie, while not the total bomb it was soon
declared to be, didn't make much of a profit. But now that the dust has
cleared (and it took quite some time), one is able to see the film in a
different light: Sure, the plot shows traces of Mad Max and
even more of spaghetti westerns, while being very simplistic and
clichée-riddled, Dennis Hopper's comicbook villain is fun to watch but a
bit too over-the-top, Kevin Costner's hero is a bit too perfect when it
comes to the action scenes, and in general the characters are a bit on the
flat side. On the other hand though, Waterworld looks nothing short
of amazing - it might have cost a fortune to shoot, but every Dollar
shows, and not just in a show-off sort of way, no, the production design -
steampunkish in approach with a water theme running through everything -
is beautiful and highly inventive, with many of the more outlandish ideas
being properly worked into the story rather than being tacked on later.
Likewise the camerawork is first rate, getting the most out of the sets
and even the watery locations, and one can't at all complain about the
action scenes that are executed as breathtakingly as can be. In all, not a
masterpiece mind you, a genre flick one can enjoy a lot if only one can
see beyond the feeble story and leave all memories of the bad press about
it behind.
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