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The Black-Eyed Children
Hungary / USA 2025
produced by József Gallai, Natasha Chisdes, Roxanne Rix, Gergö Elekes, Tommy Lentsch, Marvin Maddicks jr, Barry Vonk, Roy McClurg jr (executive) for McClurg Productions, Nguyen Bros. Production, Elekes Pictures, Rix Cafe Texican, Car Trek, Chizfilm Productions, Lentsch Productions
directed by József Gallai
starring Kata Kuna, Bill Oberst jr, Simon Bamford, Karolina Szabó, Máté Martin Marton, Regina Fonyó, József Gallai, Bálint Szántó, András Babodi, and the voices of Justin Hayward, Sara Kloc, Laura Ellen Wilson, Anais Jessica Berinde, Peter Castro, Joseph Richmond, Jeffrey Birkin, Tommy Lentsch, Anita Lentsch, Jennifer Niejadlik, Tracy Allen, Morgan Lambert, Rudy Ledbetter, Shawn Michael Clankie, Wendell Blankenship, Marvin Maddicks jr, Gergö Elekes, Daniela Lugo
story by József Gallai, Roy McClurg jr, screenplay by József Gallai, music by Gergö Elekes
review by Mike Haberfelner
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Claire (Kata Kuna) arrives at her new job, a summer camp in the middle
of the woods in nowhere. USA, only to realize the camp is deserted - and
yet when she phones the camp's number, she's told she's right and invited
in. However, the camp is actually as deserted as it looks, if not
abandoned even, and overall appears to be a rather depressing affair. But
Claire's not one to give up tht easily, and she goes through the place's
files and calls some of the parents of the kids that are supposed to be at
the camp according to application forms - but finds out these forms are
from 15 years ago, and the kids in question have gone missing. Claire also
finds a drawing book with very disturbing images about children with black
eyes, and she finds an SD-card, and on it finds the head of the camp (Bill
Oberst jr) talking directly to her, revealing some of the place's secrets
- and nothing he says is very comforting. And Claire has no means of
getting away since her car has spontaneously broken down ...
As with many of director József Gallai's movies, The
Black-Eyed Children is a found footage movie - even if there's no
apparent reason for telling this story from that perspective. And no, I'm
not a fan of that approach to the genre as such, but one has to hand it to
Gallai, despite the mostly handheld camerawork he knows how to get rather
beautiful and very moody shots that make the best out of the very
atmospheric locations while the editing properly paces the move and avoids
too much filler material. And that all said, the story of the movie as
such is properly scary and is brought across effectively, also of course
thanks to a solid performance by Kata Kuna, carrying the movie rather
beautifully, and a scene-stopping performance by the always dependable
Bill Oberst jr at his creepy best. So simply put, pretty cool genre
entertainment.
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review © by Mike Haberfelner
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Robots and rats,
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