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Ator il Guerriero di Ferro
Iron Warrior
Ator the Iron Warrior
Italy / Netherlands 1987
produced by Maurizio Maggi for Brouwersgracht Investments, Continental Motion Pictures
directed by Al Bradley (= Alfonso Brescia)
starring Miles O'Keeffe, Savina Gersak, Elisabeth Kaza, Iris Peynado, Tim Lane, Tiziana Altieri, Franco Daddi, Josie Coppini, Malcolm Borg, Conrad Borg, Jon Rosser, Anna Cachia
writtenb by Steven Luotto, Al Bradley (= Alfonso Brescia), music by Carlo Maria Cordio, special effects by Mario Cassar, stunt coordinator: Sergio Mioni
Ator
review by Mike Haberfelner
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Somewhere in fantasy land: Evil witch Phaedra (Elisabeth Kaza) kidnaps
young Trogar (Conrad Borg), twin brother of Ator (Malcolm Borg), and even
when threatened with 18 years of imprisonment she refuses to return the
boy. During her 18 years locked away, the realm thrives under its rightful
king (Tim Lane), but once released, she shows up at Princess Janna (Savina
Gersak) birthday party to kill the royal family with the help of Trogar
(now played by Franco Daddi), whom she has trained into an iron-masked
killing machine, and take over the realm. Only Princess Janna manages to
escape with the help of Ator (now played by Miles O'Keeffe), and
telepathically led by benign Deeva (Iris Peynado), they learn how to
defeat Phaedra, which has to do with a magic chest, the quest for which
leads them through half the realm and has them face many threats,
including several run-ins with Trogar. But ultimately they find the chest
- but unfortunately, Phaedra has one more ace up her sleeve ... Obviously
a cash-in on the by then already waning sword-and-sorcery wave of movies,
and especially on Joe D'Amato's Ator movies - even if the
film has nothing to do with them narratively - Iron Warrior in a
way is everything you'd expect from a movie of its ilk, and from the low
budget end of things: The scale of the story is never matched by what's
put on film, the action scenes are not as excitingly executed as they
should be, the story's simplistic, the characters paper-thin, the acting
at best uneven (though Elisabeth Kaza does a pretty good job as the main
villain), and the props and costumes too often clearly look like plastic. And
all that said, Iron Warrior is actually a quite unusual sword and
sorcery movie, as it for the most part looks pretty good, also thanks to
the impressive Maltese locations, including many breath-taking ruins,
director Alfonso Brescia goes for an often minimalist style to go in line
with the movie's moderate budget, and there's a definite existentialist
vibe to the film not usually found in movies of its kind. Now all of this
doesn't make Iron Warrior an especially great movie, but a
very interesting and unfortunately under-appreciated footnote to the
genre.
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