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Marlowe
USA 1969
produced by Gabriel Katzka, Sidney Beckerman for Katzka-Berne Productions, Cherokee Productions, Beckerman Productions
directed by Paul Bogart
starring James Garner, Gayle Hunnicutt, Carroll O'Connor, Rita Moreno, Sharon Farrell, William Daniels, Jackie Coogan, H.M. Wynant, Paul Stevens, Bruce Lee, Corinne Camacho, Kenneth Toby, Warren Finnerty, George Tyne, Nate Esformes, Christopher Cary, Read Morgan, Roger Newman
screenplay by Stirling Silliphant, based on the novel The Little Sister by Raymond Chandler, music by Peter Matz
Philip Marlowe
review by Mike Haberfelner
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Philip Marlowe (James Garner) is hired by country girl Orfamy Quest
(Sharon Farrell) to find her brother Orrin (Roger Newman), who apparently
has fallen in with the wrong crowd - a case Marlowe tries to wiggle out of
after he stumbles over two dead bodies somehow connected to the case, both
with ice pick sticking in their necks. However it seems the case has a
pull of its own and won't let Marlowe go, and soon the story is about a TV
starm Mavis Wald (Gayle Hunnicutt) who has an affair with gangster
Steelgrave (H.M. Wynant), something that if publicly known would ruin her
career - and unfortunately, Wald's own brother has taken photos of two of
them together rather intimately, and is trying to blackmail her. And this
brother turns out to be the missing Orrin, who eventually attacks Marlowe
with an icepick, and the way he tries to kill him suggests he's actually
the icepick killer. Marlowe kills Orrin in pure self defense, and then
goes on to solve the case, with the main baddie of the film being Dolores
(Rita Moreno), Mavis's best friend who tried to get back at her for
stealing her man, Steelgrave. Jackie Coogan plays a low-rent
photographer who falls victim to the icepick early on in the film, Bruce
Lee Steelgrave's kung fu-savvy henchman whom Marlowe disposes of by
tricking him into jumping off the balcony of a high rise. Now
as is often the case with Raymond Chandler adaptations (and really
Chandler's novels to begin with), the plot of this movie is very
confusing, more than a bit muddled, and doesn't always make perfect sense.
Films like Murder, My Sweet
and The Big Sleep prove that
this can still result in a great movie, Marlowe - not so much so.
Now that's not to say that Marlowe's not still pretty entertaining,
but it's much more on the silly side, and the film's occasional attempts
at late 1960s hipness are somewhat endearing, while in other parts the
direction is little more than functional. That said, James Garner makes a
cool Philip Marlowe, maybe not on par with Dick Powell or Humphrey Bogart,
but he carries the film rather well still.
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