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Jason X
USA 2001
produced by Noel Cunningham, Sean S. Cunningham (executive), James Isaac (executive) for Sean S. Cunningham Films, Crystal Lake Entertainment/New Line
directed by James Isaac
starring Kane Hodder, Lexa Doig, Jonathan Potts, Peter Mensah, Lisa Ryder, Melyssa Ade, David Cronenberg, Dov Tiefenbach, Chuck Campbell, Boyd Banks, Barna Moricz, Dylan Bierk, Todd Farmer, Philip Williams, Melody Johnson, Kristi Angus, Derwin Jordan, Yani Gellman, Robert A. Silverman, Steve Lucescu, Thomas Seniuk, Amanda Brugel, Markus Parilo, Jeff Geddis, Roman Podhora, Kaye Penaflor, Tania Maro, Mika Ward, David Cook
written by Todd Farmer, music by Harry Manfredini, special effects by Global Effects Inc., visual effects by Toybox
Friday the 13th, Jason Voorhees
review by Mike Haberfelner
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Always make sure of DVD-compatibility!!!
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Completely ignoring the events from Jason
Goes to Hell, in this one it's 2008, and after numerous attempts
to execute Jason Voorhees (Kane Hodder) have failed, it's decided to
deep-freeze him until science has advanced enough to take down a being
with cell regeneration as advanced as Jason's. But then army scientist Dr.
Wimmer (David Cronenberg) pulls a few strings to instead of having Jason
frozen he wants to take him to his lab to examine in order to create super
soldiers. It doesn't go well of course, and Wimmer and his entourage are
slaughtered on site, and only thanks to Rowan (Lexa Doig), the scientist
responsible for freezing Jason, can he be lured into the cryogenics
chamber and be frozen. One problem though, Rowan is stabbed in the process
and frozen with him. It's 2455, and earth has long become extinct, but
humankind has long found a safe haven elsewhere in space, and by now earth
has become mostly an archeological dig - like for professor Lowe (Jonathan
Potts) and his students, who on a field trip find the cryogenics chamber
Rowan and Jason are hibernating in, and take them both back to their
spaceship, where they thaw up Rowan, and medical science has advanced to a
degree where her stab wound can be cured in a manner of minutes. However,
the professor thinks Jason's beyond hope and lets his assistant Adrienne
(Kristi Angus) do a post mortem. Rowan pleads with Lowe to get rid of
Jason's body right away as he's still a threat, but Lowe learns about who
Jason was and that his body could be sold for a high price, and thus
doesn't listen to Rowan. Of course, Jason soon comes to life against all
logic, kills Adrienne as well as several of Lowe's other students, and
when Brodski's (Peter Mensah) security detail try to lure him to the cargo
hold and take him out, Brodski's the only one to survive if only barely.
And whether she likes it or not, now it's up to Rowan, knowing Jason
better than anyone in the 25th century, to save the others ... After
Jason Goes to Hell, that
ditched the slasher formula of earlier Friday the 13th
movies to take a more fantasy inspired route with supernatural forces and
a silly but fun mythology tagged onto the concept, that didn't sit very
easy with fans who wanted more of the same and not the deviation that
movie was (the film's inherent entertainment value notwithstanding) - and
thus the series was put on hold for 8 years, and when the series came
back, the events tackled in Jason
Goes to Hell were consequently gone and forgotten, and Jason was
back to being Jason the unstoppable teen-killing machine - with the added
attraction that he now does so in space. But even this change of location
didn't sit well with fans and the movie tanked. But this time around Jason
resurfaced only two years later to play second fiddle to Freddy
Krueger in the rather less imaginative Freddy
vs. Jason. Its poor box office aside, Jason X is
actually a very entertaining movie. Sure, it's a tad silly, but to its
credit the movie acknowledges its own silliness and while playing it
mostly straight takes its time to every now and again wink at the
audience, from the VR female teen campers (Kaye Penaflor, Tania Maro) to
the manga-inspired kinky female fighter android (Lisa Ryder), and it's
more than obvious that the filmmakers had good fun with their material and
were taking cues not only from previous entries in the series and the
ultimate space slasher Alien, but
also more poignant science fiction like Dark
Star. And it terms of production value, the film sure lives up to
its task without burying everything under too much bombast. Of course,
storywise there are certain leaps of reason and the occasional plothole,
but that's what one has come to expect from a slasher movie, really, and a
light-footed approach and steady pace really gloss over this and make the
movie a very enjoyable ride that certainly would have deserved a bit more
fan appreciation.
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