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An Interview with J.M. Stelly, Director of Abacus

by Mike Haberfelner

September 2024

Films directed by J.M. Stelly on (re)Search my Trash

 

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Your new movie Abacus - in a few words, what's it about?

 

Abacus is about how high stakes can get in a situation where the outcome is both uncertain and within the boundaries of your control. Everyone in the film is a bad person and they are all connected, so as information becomes more available to each person, their priorities and survival instincts tend to shift. It’s an intense film. It’s all about the anxiety of all of this and the need to save not only yourself but someone you love.

 

What were your sources of inspiration when writing Abacus?

 

I know people are gonna say how much it reminds them of Saw, however Saw was not the inspiration for this film. The inspiration for the film came from studying things like MK-Ultra and experiments done to humans, red rooms and internet dark rooms where torture took place, and just the thought of what would happen if you placed three people in a situation like this. Sure there are comparisons to other films if you want to draw those comparisons, but the idea for Abacus was formed from just thought exercises, and the original outline is somewhat different from what we shot. It was way more into their hallucinations while in the room. What was cut was the movie you see now, and I think it’s better this way.

 

What can you tell us about Abacus's approach to the thriller genre?

 

I have always adored the thriller genre. My favorite films swing more towards thriller. Se7en, Session 9, Zodiac are just a few of my favorite films. I wanted Abacus to straddle the line between thriller, drama, horror and crime film. There are elements of all those in this film while maintaining that arthouse feel because it is an indie film after all. It’s a slow burn. If you’re looking for something action packed, this isn’t the movie for you. But if you’re looking for a story driven film, I feel this one will keep your attention.

 

With Abacus being mostly restricted to one location, what were your techniques to keep your film visually interesting throughout? And what can you tell us about that peculiar location to begin with?

 

The location was actually in a building a friend of mine was leasing. He had told me the building had an elevator that no longer worked and that there was an abandoned elevator shaft room. The minute I walked into the room, I saw the potential. It was this creepy industrial room. Being that the majority of the film takes place in the room, it was imperative to constantly try and find ways of making the space look and feel dark and claustrophobic. The scenes where we flashback open the film up a bit, so we keep it a bit interesting, but the minute we get back in that room we are reminded of the darkness that awaits these characters.

 

A few words about your overall directorial approach to your story at hand?

 

So this film, much like my other films I’ve done was outline only. So that means there was no script during the production of the film itself. The film was shot in 2 and a half days. The first 2 days were in the room and the half a day was 2 months later (all the flashback scenes). I wrote down all the character histories and what would happen over the course of the film for each character. I sent Jared, Keegan, and Antonio their character bios, but the catch was none of the actors knew the history outside their own character. On the day of shooting, I would pull each actor into the room separately and tell them what they needed to talk about in the scene and what definite things would happen. Then we would run a rehearsal that wouldn’t reveal much except for the technical stuff. So all the information that’s revealed is revealed in the moment. Even the phone calls weren’t scripted at the time. I would go to another room, call the phone and it was then the characters knew more about other characters in the room. It was to enhance their reactions. I allowed my actors to bring their art to the table and I believe it’s for that reason we got some amazing performances out of everyone. By January of 2017 I had a script for the phone calls and we recorded them then.

 

Do talk about Abacus's cast, and why exactly these people?

 

Every actor in this film I’m friends with in real life. Keegan Macy and Jared Bankens have been in most of my films. We three work really well together and we all continue to work together to this day. Antonio Saez I had met on a short we shot months earlier and I loved working with him, so it was nice to give him that role. He was new to acting so this film was essentially like throwing him into the fire. Matt Story was in my very first film Within Madness, so it was nice to work with him again, and Jerry Katz and I became good friends and he’s a wonderful actor. For me, the cast and my relationship with them is so important for getting the best on camera.

 

What can you tell us about the shoot as such, and the on-set atmosphere?

 

When we weren’t shooting, it was light-hearted. Just friends getting together to shoot a film. It was fun. During the shoot, during the takes, it was heavy and as the film got darker, the emotions got darker. Antonio had a mental breakdown for one scene and it’s in the movie. It was real. So real in fact we had to take a long break after and I had to talk him off the ledge of emotions. It was wild but again that process made the film better.

 

The $64-question of course, where can Abacus be seen?

 

As of right now we are aiming to put it in theaters on limited release, so hopefully in some bigger cities there, but for sure we know October 22nd, 2024 will see the physical release. Pre-order announcement to come soon and VOD soon after that.

 

Anything you can tell us about audience and critical reception of Abacus?

 

So far, people have responded well to the film so hopefully that continues. Obviously we will get haters but that’s any and every movie. I tend to ignore those who have done nothing to show they can do any better.

 

Any future projects you'd like to share?

 

Nothing at the moment but I am working to get other things going so hopefully more on that and other projects in the near future will be at hand.

 

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Your/your movie's website, social media, whatever else?

 

Instagram: @jmstelly, @anatomicafilms, @abacus.film

Facebook: Anatomica Films

YouTube: Anatomica Productions

 

Anything else you're dying to mention and I have merely forgotten to ask?

 

They Are Watching hits Blu-ray on October 8th, 2024, pre-orders to go live soon. That movie is already available on VOD thanks to Terror Films, and my award winning film Call of the Void comes out soon!

 

Thanks for the interview!

 

© by Mike Haberfelner


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Thanks for watching !!!



 

 

In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
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love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
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a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
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tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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