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The Big Broadcast of 1938
USA 1938
produced by Harlan Thompson, William LeBaron (executive), Leon Schlesinger (animation sequence only) for Paramount
directed by Mitchell Leisen
starring W.C. Fields, Bob Hope, Dorothy Lamour, Shirley Ross, Leif Erickson, Martha Raye, Lynne Overman, Ben Blue, Patricia Wilder, Grace Bradley, Rufe Davis, Lionel Pape, Dorothy Howe (= Virginia Vale), Russell Hicks, Kirsten Flagstad, Wilfrid Pelletier, Tito Guízar, Shep Fields and His Rippling Rhythm Orchestra, Richard Denning, Leonid Kinskey, Lal Chand Mehra, Edgar Norton
story by Frederick Hazlitt Brennan, adaptation by Howard Lindsay, Russel Crouse, sceenplay by Walter DeLeon, Francis Martin, Ken Englund, music by Gordon Jenkins, John Leipold, George Parrish, Victor Young, musical direction by Boris Morros
review by Mike Haberfelner
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Available on DVD! To buy, click on link(s) below and help keep this site afloat (commissions earned) |
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A race across the Atlantic between the super-modern cruise liners
Gigantic and Colossal. Gigantic owner Bellows (W.C. Fields) wants to leave
nothing to chance to win the race, so he sends his brother (also W.C.
Fields) onto the Colossal - to do nothing in particular, but he knows his
brother just attracts chaos, and him just being there will be enough to
(innocently) sabotage the Colossal's chances to win the race. However,
brother Bellows is so chaotic that he actually boards the Gigantic by
accident, and in a matter of minutes, he has pretty much ruined the
Gigantic's engines, but is so obsessed with himself that he won't let the
ship's engineer (Leif Erickson) repair them, and he locks the whole crew
away to steer the ship through iceberg infested waters himself. However,
the engineer manages to repair the engine anyhow, and in the end, the
Gigantic defeats the Colossal by no more than a few feet. A subplot
involves the Gigantic's master of ceremonies (Bob Hope) losing his
fiancée (Dorothy Lamour) to the engineer but getting back together with
his third ex-wife (Shirley Ross). Simply put, a rather
disappointing movie: Basically, the premise has potential, but instead of
being developed into an actual story with build-up, highlights, resolution
and everything it's just a series of sketches in which W.C. Fields'
central character seems more than a little inconsistent even (though he
has quite a few funny moments at least). And the ending seems to come out
of nowhere. Then the story is even interrupted by the lovestory revolving
around Bob Hope and Dorothy Lamour which is more than a bit disappointing
(whoever thought it would make a compelling story to have Dorothy Lamour
leave loveable loser Bob Hope for your typical bland handsome guy Leif
Erickson ... well, was wrong) and musical numbers that set in a bit too
randomly and lack
any real panache. Oh, and by the way, Fields and Hope share next to no
screentime in this film and do not actually interact with one another.
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review © by Mike Haberfelner
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Robots and rats,
demons and potholes, cuddly toys and shopping mall Santas,
love and death and everything in between,
Tales to Chill Your Bones to is all of that.
Tales to Chill Your Bones to -
a collection of short stories and mini-plays ranging from the horrific to the darkly humourous,
from the post-apocalyptic to the weirdly romantic,
tales that will give you a chill and maybe a chuckle,
all thought up by the twisted mind of screenwriter and film reviewer Michael Haberfelner.
Tales to Chill Your Bones to
the new anthology by Michael Haberfelner
Out now from Amazon!!! |
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