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Occhiali Neri
Dark Glasses
Italy / France 2022
produced by Conchita Airoldi, Brahim Chioua, Noémie Devide, Laurentina Guidotti, Vincent Maraval for Urania Pictures, Getaway Films
directed by Dario Argento
starring Ilenia Pastorelli, Asia Argento, Andrea Gherpelli, Mario Pirrello, Maria Rosaria Russo, Gennaro Iaccarino, Andrea Zhang, Ivan Alovisio, Fabrizio Eleuteri, Guglielmo Favilla, Gianluca Giugliarelli, Cristiano Simone Iannone, Viktorie Ignoto, Maurizio Jiritano, Gladys Robles, Paola Sambo, Mario Scerbo, Tiffany Zhou
written by Dario Argento, Franco Ferrini, music by Arnaud Rebotini
review by Mike Haberfelner
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There's a killer roaming the city who has a predilection for high class
prostitutes - which is bad news for call girl Diana (Ilenia Pastorelli),
who's apparently next on his list, and while she manages to escape his
first attempt to kill her, this only leads to a car chase that ends with
her being pushed into another car, an accident that leaves her blind while
two passengers of the other car are killed, only their son Chin (Andrea
Zhang) survives. With the help of Rita (Asia Argento), an instructor for
the blind, and her seeing-eye dog Nereus, she slowly gets the hand of
living with her predicament, and she also tries to befriend Chin, feeling
responsible for his orphaned situation - something that works too well as
one day he decides to break out of the institution he's kept and moves in
with Diana. Now she quickly comes to enjoy the boy's company, but the
police see this as kidnapping. But before they can take care of things,
the killer returns to his would-be victim, kills off a couple of cops
trying to take Chin away from Diana - only to pick up pursuit of Diana
himself. And while Diana has a headstart as she tried to hide from the
cops, how are she, a blind woman, and a little boy to outrun a killer in a
van? The first film by Dario Argento in 10 years (after Dracula
3D) - probably not even among his ten best. It seems a little more
of a greatest hits movie, the murders are still as gruesome as ever, and
in the suspense and chase sequences Argento still shows a wonderful
combination of craftsmanship and creativity. Thing is, his approach
doesn't seem nearly as fresh anymore as in the 1970s and 80s, the writing
seems a bit out-dated by today's thriller standards and seems to recycle
Argento-tropes, even the motive of blindness is a rehash from his The
Cat o' Nine Tails from more than 50 years earlier. That said, if
you're a fan of Argento (like I am), there's still plenty to like about
this movie, maybe because it seems to self-referencing, it's just not one
of his better ones, objectively speaking.
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review © by Mike Haberfelner
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Robots and rats,
demons and potholes, cuddly toys and shopping mall Santas,
love and death and everything in between,
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Tales to Chill Your Bones to
the new anthology by Michael Haberfelner
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