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Hammer House of Horror - The Thirteenth Reunion
episode 2
UK 1980
produced by Roy Skeggs, Brian Lawrence (executive), David Reid (executive) for Chips Productions, Cinema Arts International, Hammer/ITC
directed by Peter Sasdy
starring Julia Foster, Dinah Sheridan, Richard Pearson, Norman Bird, George Innes, James Cosmo, Warren Clarke, Gerard Kelly, Michael Latimer, Barbara Keogh, Paula Jacobs, Roger Ostime, Peter Dean, Louis Mansi, Kevin Stoney
written by Jeremy Burnham, music by John McCabe, musical supervision by Philip Martell
TV-series Hammer House of Horror
review by Mike Haberfelner
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Journalist Ruth (Julia Foster) is assigned to go undercover to uncover
the sometimes questionable methods of the "Think Thin" fatfigher
clinic - something she finds a bit humiliating because she's rather fond
of her few extra pounds (and it aren't many, even). Well, at least at the
clinic, she meets Ben (Warren Clarke), a man about her age who's single
like her, and before you know it the two of them have their first date ...
but when Ben drives home from the date, he has a car accident and dies. At
Ben's wake, Ruth meets Andrew (Gerard Kelly), the funeral home's assistant
who convinces her there's something fishy about Ben's death, and when they
that night break into the funeral home, they find there's no body in the
coffin. Later they find the body in the morgue though, and Ruth follows it
back to Chesterton's (Richard Pearson) clinic, where Ruth soon has herself
admitted. She later find's Ben's body transferred to Chesterton's private
home - and when she breaks in, Chesterton catches her and ... invites her
to dinner. In fact, he has arranged a reunion dinnerparty for his friends,
all survivors of a planecrash - who only managed to stay alive until they
were found by turning to cannibalism. So that means the dinner they are
going to get is ... ouch! The premise of this episode is simply
excellent, pretty much as macabre as it is mean. The execution: Not so
much. Basically, too much time is spent on pointless supporting characters
and subplots, for the most part, the macabre elements are few and far
between, the direction is often clumsy and seems to avoid suspense at all
costs (especially in the scenes where Ruth follows the hearse in which
Ben's corpse is carried by car in plain sight and nobody at all seems to
notice), and the punchline seems to announce itself miles ahead and is
then extended way beyond breaking point. That's not to say the whole
thing is totally without merit, cast, certain narrative elements and
especially the macabre premise are all pretty great - it's just an story
that never fully lives up to its promise.
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review © by Mike Haberfelner
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Robots and rats,
demons and potholes, cuddly toys and shopping mall Santas,
love and death and everything in between,
Tales to Chill Your Bones to is all of that.
Tales to Chill Your Bones to -
a collection of short stories and mini-plays ranging from the horrific to the darkly humourous,
from the post-apocalyptic to the weirdly romantic,
tales that will give you a chill and maybe a chuckle,
all thought up by the twisted mind of screenwriter and film reviewer Michael Haberfelner.
Tales to Chill Your Bones to
the new anthology by Michael Haberfelner
Out now from Amazon!!! |
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