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Vortex
Au Bord du Monde
France / Belgium / Monaco 2021
produced by Rectangle Productions, Wild Bunch, Les Cinémas de la Zone, KNM, Artémis Productions, Srab Films, Les Films Velvet, Kallouche Cinéma
directed by Gaspar Noé
starring Dario Argento, Françoise Lebrun, Alex Lutz, Laurent Aknin, Jean-Pierre Bouyxou, Philippe Rouyer
written by Gaspar Noé
review by Mike Haberfelner
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At the first glance, they (Dario Argento, Francoise Lebrun) are a very
ordinary elderly couple, she's a retired psychiatrist, he's a film critic
writing on a book about the correlation of film and dreams, and they have
their daily routines, and while they sometimes seem a little cold towards
one another, they seem to make a good team - until she gets lost in a
supermarket and he has to go fetch her. And it turns out, this isn't the
first time something like this has happened, she's suffering from
Alzheimer's, and it seems to be worsening by the day. Eventually, things
get so bad he has to call their son Stéphane (Alex Lutz), but Stéphane
can't help much either as he has problems of his own, which include drug
abuse. And his parents refuse to give up their apartment and move to a
home for assisted living, something she'd be in bad need of. So our
elderly coulple continues to try to make things work, but things only
deteriorate, which includes her flushing down his manuscript in the toilet
or turning on the gas and almost killing them both. And then things come
to a head when he has a heart attack ... Shot almost entirely
split screen, this technique is nevertheless not used for spectacle's sake
but as the center of its technique of storytelling, which actually tells
its story in a very unexcited, pretty much slice-of-life way and gets its
narrative tension much more out of things unsaid, out of the story's
subtext. And that works very well most of the time, only towards the end,
when the (entirely improvised) dialogue, especially between Stéphane and
his father, repeats things a bit too often, the story starts to drag a
bit, and likewise the very last scenes of a funeral are spelling things
out a bit too clearly that were beautifully left in the dark earlier on.
But that said, the film might need a little patience, but is still worth a
watch, also because of beautiful and very natural performances by all
three leads.
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