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Luxembourg / Belgium 2022
produced by
Gilles Chanial, Olivier Dubois, for Les Films Fauves, Novak Production
directed by Jacques Molitor
starring Louise Manteau, Victor Dieu, Marja-Leena Junker, Jules Werner, Marco Lorenzini, Myriam Muller, Yulia Chernyshkova, Jean-Jacques Rausin, Charles Muller, Benjamin Ramon, Joël Delsaut, Gintare Parulyte, Basile Catrysse, Tracy Dossou, Hakim Bouacha, Blaise Ludik, Clod Thommes, Leo Folschette, Marc Wolff, Mehdi Zekhnini
written by Jacques Molitor, Régine Abadia, with the collaboration of Magali Negroni, music by Daniel Offermann

review by
Mike Haberfelner

Ten years ago, Patrick (Benjamin Ramon) ran away right after impregnating Elaine (Louise Manteau) - and quite literally so, he ran off into the woods never to be seen again without even putting on his clothes again. Their offspring Martin (Victor Dieu) is now ten, and Elaine has done her best to bring him up properly - but of late, Martin has had some violent fits that also included biting his fellow students at school, which led to his suspension. Being at her wits' end, she decides to take Martin to his grandparents on his father's side (Marja-Leena Junker, Jules Werner), rich landowners Elaine originally never wanted to have anything to do with, let alone lean on them, and thus has never even told him they had a grandson. However, when she presents Martin to them, they welcome him - and her - with open arms. And they're not the least surprised learning about Martin's violent outbursts and really seem to have an answer for everything concerning the boy. However, their ways to counteract his violent fits prove to be pretty harsh, and when Elaine finds Martin muzzled, chained up and in a strait jacket one day, she's shocked enough to take the boy and leave on the spot. Only when they're home though does Elaine realize Martin has gotten worse though, best evidenced when he bites her hand. So it's back to the grandparents where she learns Martin is actually turning into a wolf - something that can be treated though with the right medication and right diet. Elaine lets the grandparents take over. However when she finds out what the diet is and how it's obtained, it occurs to her that she has made the dead wrong choice ...


Wolfkin sure presents its audience with a very original take on its werewolf premise, and its slowburn approach that allows for many an interesting narrative undercurrent sure gets out of the subgenre's comfort zone - to very satisfying results at that, too. So it's really horror blended with social commentary and character study, with plenty of twists and turns to never lose the audience's interest, while grounded performances by all of the involved keep the thing relatable - and make this into a rather enjoyably unusual piece of genre cinema.


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review © by Mike Haberfelner


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Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.


Tales to Chill
Your Bones to
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.


Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner


Out now from




On the same day
a Burglar wants to kill you
and your Ex wants
to make up ...
... and for the life of it,
you can't decide


A Killer Conversation

produced by and starring
Melanie Denholme
directed by
David V.G. Davies
written by
Michael Haberfelner
Ryan Hunter and
Rudy Barrow

out now on DVD